Tag: Victoria Azarenka

Safarova’s Game: Perfect Fit for Williams

Coming into today’s final match, the head-to-head record between Serena Williams and Lucie Safarova was 8-0 in the American’s favor, for a very good reason. Williams is very good at forcing her opponents into a defensive position and demand that they produce a high-level, counterpunch-style tennis. Lo and behold, that happens to be exactly what carries Safarova through most of her wins: the ability to set her feet, shift the shoulders forward to produce some penetrating winners from both sides. Let’s simplify the equation: what Serena does very well, single-handedly negates Lucie’s biggest weapon and ruins the core of the Czech’s plan A.

If you have access to the replay of the match, and you want to see the type of damage that Safarova can inflict on her opponents when she gets her feet set, watch the two points from 30-0 to 30-30 at 4-2 in the first set. Another good example is the first point of the 3-1 game in which Lucie struck three good shots in a row, pushed Serena around, and finally won the point. Now, if you want a great contrast to that last example, watch the following point at 15-0. In that long point, Lucie stays in control for several shots but can’t put it away; then Serena counterpunches with her forehand hard to the cross-court corner and puts Lucie on the run. Next (and yes, you guessed it), Lucie misses the very first shot (a backhand) that she has to hit on the stretch from the outside the boundaries of the singles lines. A second example of the same contrast happened also at 5-5 and 15-0 in the second set, with Safarova serving. During the majority of that long point, the ball traveled back and forth at high speed, yet remained mostly within the singles line, which allowed Lucie to hang tough. However, as soon as Serena hit a hard, sharp cross-court shot and pushed Safarova out to the doubles alley, the Czech had to stretch and float the shot back, which then allowed Serena to hit the winner to the open court.

These are only a couple of examples of why Serena had more trouble against Victoria Azarenka, Sloane Stephens, and Timea Bacsinszky. They could counterpunch Serena’s power with accuracy and speed when they were put on the run. Serena still ended up winning because she has superior skills and, this next one is ex-cathedra, she can raise her game when needed. Azarenka can power back Serena’s shot and surprise her, Stephens and Bacsinsky can hit backhands and forehands on the stretch, generating power with the flick of their wrists (especially Bacsinszky on the backhand side). Safarova, on the other hand, is not the speediest player moving side-to-side, which is an oddity considering how exceptional her movement is around the ball, in place, using quick and small steps (reminds me of Andre Agassi).

You are probably saying to yourself “Wait, did you watch the match? Lucie went three sets too!” My response to you would be, don’t let the second set fool you. This match was never out of Serena’s control. Safarova got back in the set only because Williams began to commit double faults and few untimely errors out of nowhere. It also helped Safarova that throughout the comeback in the second set, from 1-4 down to winning the tiebreaker, the Chatrier crowd got behind her (they chanted her name in two different versions: “Lucie” the French version, “Lu-zi-yé” the Czech version!)

Yet, the main plot remained untouched. When Safarova served her only double fault of the match at 2-1, and 30-40, and lost the early break, one could sense that it was the beginning of the end for the Czech. It was confirmed the next time Serena had a break point, two games later, up 3-2. The players engaged in a rally, and the original pattern ensued, with Serena collecting a mistake from Safarova the first time she pushed her to the outside of the court.

There are three types of matches that end lopsided. First case is when both players play the same style, and one does everything a little better than the other (Nadal-Ferrer on clay comes to mind). Second case is when one player’s weakness plays into the strength of the other, or vice-versa. Third is when a player, for one reason or another, decides not to put forth any effort to win (there are plenty examples of this in the past, you pick your own). Today’s case would have fit the second one if it were not for an extended period of meltdown by the American in the middle portion of the match.

Now Serena Williams stands at 20 Major titles, only second to Steffi Graf’s 22. This could also be the year in which she achieves the Grand Slam, the only elite accomplishment that is still not in her résumé. She is 33 years old, but still rules the W.T.A. arena, and there is no reason to think that both accomplishments are not within her reach.

Serena Williams, the 2015 Roland Garros Champion
Serena Williams, the 2015 Roland Garros Champion

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High Volleys on Floaters: A Lost Art – Ask Azarenka and Muguruza

The swing volley began to work its way into professional tennis in the 1980s and grew in frequency for the next two decades until it became almost the norm in the 21st century whenever the opponent hit a floater high in the air, in case he or she would get pushed and stretched to a corner. With the addition of new technology, and fitter players, the use of swing volleys generated winner after winner in both professional tours.

The only problem is that you cannot hit a swing volley on every high floater. Sometimes, the ball is too far, or it’s too risky to make a full swing. It is sometimes enough to simply to block the ball to the open court. When that moment arrives, the arm must remain stiff, and the wrist must go through the minimum amount of recoil possible. Unfortunately for Victoria Azarenka, she did neither of those on her high backhand volley at 2-1 up in the third set against Dominika Cibulkova, when she had an opportunity to break her opponent’s serve at 30-40:

You can see Azarenka’s racket head drop all the way below the wrist level when she strikes the volley, causing the ball to float and allow Cibulkova to chase it down. She simply did not keep her forearm muscles clenched and let her wrist loose. Now, remember that this was not just a point like any other.

I have talked in my last article in depth about momentum shifts early in sets. This point above was precisely that! It led in fact to the most decisive momentum shift of this match. Cibulkova crushed Azarenka in the first set 6-2. Vika began finding depth on her strokes early the second set and took control as the set progressed. She often neutralized Cibulkova’s aggressive baseline shots by making use of all the four corners of the court, keeping her guessing. Vika won the second set 6-3 and when the third set began, it seemed that it was just a matter of time before she took control of the final set. The point above was that moment! Had she made that volley, she would have gone up 3-1 and probably continued to steamroll the way she has done so, since early in the second set. Cibulkova would have had to play catch-up, her only hope of coming back resting on an unlikely let-down by Azarenka. However, Cibulkova held serve, regained her confidence, and zoomed at warp factor nine to the finish line from there on, losing only one more game (6-3).

Let’s fast forward to Serena Williams vs. Garbine Muguruza, to the second game of the final set. Muguruza dominated the first set, Serena recovered, as only she can, to equalize at one set all. In the beginning of the third set, Muguruza held serve after a long game in which she faced break points. It was a big hold, giving Muguruza a chance to sink her teeth back in the match after a disappointing second set. She not only did that, but she climbed to a 15-40 lead on Serena’s serve, looking to go up 2-0 and to take charge again in the third set. Then, this happened:

Again, what you see is Muguruza tilting her wrist back quite far, causing the racket to flip back as she blocks (or not) the ball. Thus the floating ball that should have been an easy put away results in a “floating volley” that sails out. As a result, what should have been a guaranteed early break that would have left Serena frustrated (remember that she was already frowning from not having broken Muguruza in the previous game) and allowed Muguruza to move forward with confidence in the final set, turned into a long game that lasted over ten minutes, ending with Serena holding serve. Serena pumped her fist up screamed when she finally held to equalize at 1-1. She returned to her form of the second set and Muguruza slowly began to fade away, only winning one more game the rest of the set.

This type of shot occurs less and less since the topspin-swing volley has replaced the traditional block volley. However, it does not mean that it should not be practiced specifically. Because it can make your day, or as the cases of Azarenka and Muguruza showed today, it can also break it.

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Coming Soon: WTA’s Much-Needed Facelift

Despite the title of the article, for many, it could not come any sooner. After years of Serena Williams’ supremacy and the duo of Victoria Azarenka and Maria Sharapova specializing in failed attempts to dethrone the American, but exceling in the shrieking department, the W.T.A. desperately needs an injection of new and fresh faces into the spotlight.

Fret no more! They are slowly but surely arriving. Three of them were at the Charleston WTA Tournament’s semi-finals, but their road to greatness has been progressing for some time now.

Furthermore, they don’t act like unattainable, superior divas. They actually spend more time praising their opponents in the after-match conferences than the lack of quality in their own game. They don’t necessarily believe the sport revolves around them – read as “I won because I am great, I lost because I played bad, and the girl on the other side of the net is of no consequence.” They behave far more mature than today’s star players did when they were up-and-coming hopefuls.

Eugenie Bouchard (pictured below) is neither jumping up and down for minutes after a win, nor sporting a bitter-face accompanied by comments on how bad she played without a word of credit to her opponent. If you wish to be impressed by the composure and the maturity of a young player in front of cameras, just observe one of her interviews. Belinda Bencic, at 17, keeps her emotions at check whether she saves a match point or chokes one away. You don’t hear the 20-year-old Jana Cepalova complain about being without a coach, a family in her box, or the lack of a hitting partner while she travels in a foreign country playing tournaments. She goes on her business and reaches the finals in Charleston, not to mention defeating Serena Williams, Elena Vesnina, and Daniela Hantuchova on her path. In fact, if it was not for the title-winner Andrea Petkovic mentioning in her after-match speech how much she admires Cepelova for accomplishing that without anyone on her corner, not many people would have even been aware of that remarkable anecdote. You are not likely to witness Caroline Garcia, the 20-year-old French player, talking about how “embarrassed” she is, after losing to a player ranked lower than her.

Bouchard 1

These upcoming and fresh faces constitute what WTA Tour desperately needs. The top players of today ignore the fans for the most part, unless they are fulfilling a contract requirement dictating that they smile for pictures and have a few moments with a number of hand-picked fans for a certain function or a cause. They cannot stand each other and maintain no friendly contact other than the handshake at the end of the match. The other players have expressed many times how these few divas harbor a considerable distance from the rest of the players. When your peers cannot even identify with you, it is naïve for the WTA to expect fans to do so.

John Isner said at the Cincinnati tournament that the top players in the ATP were all “class guys” and that everyone got along incredibly well. Juan Martin del Potro confirmed Isner’s observation. They both talked about how they admire each other as people and as players. Friendships among the top players are well-known. They also don’t mind staying on the court after their practice sessions and after matches to accommodate as many fans as possible, signing autographs. This brief reference to the ATP equivalent of how top players behave was simply to preemptively answer the handful of fans of those divas who will attempt to strike back with the feeble “the top women’s players’ job is not to entertain fans” argument. Fans love to watch Roger Federer, Novak Djokovic, Rafael Nadal, Andy Murray, Jo-Wilfried Tsonga, David Ferrer and others, because they interact with fans, and remain attainable to the average tennis fan.

It is obvious that the WTA needs a major facelift in terms of who represents its stardom. Being noteworthy athletes can only carry your popularity so far and will prove fatal when the attention begins to diminish. The interest in women’s tennis is nothing like it used to be a decade ago, and there are no notable rivalries (please do not say Williams vs. Sharapova).

This up-and-coming group is talented, athletic, personable, and spectacular to watch. If you have not yet watched Bencic’s sizzling ground strokes, Cepelova’s drop shots, Garcia’s ability to accelerate the ball, Simona Halep’s footwork, and Zarina Diyas’ calmness on the court, and Sloane Stephens’ powerful ground strokes, you do not need to worry. You will get plenty of chances to see them in the near future. I will predict – for the WTA’s sake as much as my own – that by the spring of 2016, we will see a different layer of players fighting for the big titles while the divas of today will be trying to come to terms with what is hitting them. Moreover, instead of hearing yet again the excuses with regards to their games, tennis fans will embrace the change of layer at the top of the women’s game.

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